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DTSTART;TZID=Europe/Stockholm:20260313T080000
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UID:21862-1773388800-1800205200@wasp-hs.org
SUMMARY:AI and The Paradox of Agency
DESCRIPTION:Who holds the power when AI enters our lives? AI and the Paradox of Agency is curated by  Sarah Cook\, WASP-HS Guest Professor\, and Museum Director Katarina Pierre\, and features new commissions by international artists\, from interactive games and immersive installations to sculptures and a drone-read hand-painted textile. \nThe exhibition is open between 13 March\, 2026 and 17 January 2027. \nArtists: boredomresearch\, Tega Brain\, Dennis Delgado\, Linda Dounia Rebeiz\, Alexandra Daisy Ginsberg\, Nicolas Gourault\, Zeno Gries\, Lawrence Lek\, Rachel Maclean\, Stephen Marche\, Lauren Lee McCarthy\, Florian Model\, Yuri Pattison\, Planetary Portals\, Raqs Media Collective\, Daniel Shanken\, Caroline Sinders & Romy Gad el Rab\, Paola Torres Núñez del Prado\, and Addie Wagenknecht. Curators: Sarah Cook and Katarina Pierre. \nAI and the Paradox of Agency is produced by Bildmuseet at Umeå University with support from the Jacob Wallenberg Foundation and WASP-HS (Wallenberg AI\, Autonomous Systems and Software Program – Humanity and Society). \n			\n				Read more
URL:https://wasp-hs.org/event3/ai-and-the-paradox-of-agency/
LOCATION:Bildmuseet
ATTACH;FMTTYPE=image/jpeg:https://wasp-hs.org/wp-content/uploads/2026/03/AI-and-the-Paradox-of-Agency.jpg
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BEGIN:VEVENT
DTSTART;TZID=Europe/Stockholm:20260917T100000
DTEND;TZID=Europe/Stockholm:20260917T113000
DTSTAMP:20260917T005249
CREATED:20260827T124635Z
LAST-MODIFIED:20260827T124636Z
UID:23901-1789639200-1789644600@wasp-hs.org
SUMMARY:SE.LLMA Startup Seminar
DESCRIPTION:Welcome to a digital seminar to learn more about SE.LLMA\, a new project within WARA AI-TRICS. \nDuring the seminar\, the project group will present the project\, status\, and opportunities for researchers to engage. There will also be a questions and answers session. \nThe seminar is aimed at researchers from the WASP and WASP-HS communities. \n			\n				Register
URL:https://wasp-hs.org/event3/se-llma-startup-seminar/
LOCATION:Online
ATTACH;FMTTYPE=image/jpeg:https://wasp-hs.org/wp-content/uploads/2026/08/WASP-HS-logo-image.jpg
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DTSTART;TZID=Europe/Stockholm:20260917T150000
DTEND;TZID=Europe/Stockholm:20260917T180000
DTSTAMP:20260917T005249
CREATED:20260817T142428Z
LAST-MODIFIED:20260818T070020Z
UID:23610-1789657200-1789668000@wasp-hs.org
SUMMARY:Design Sensibilities: Corporeal Theories as Embodied Epistemology for Design Research — PhD Defense
DESCRIPTION:On 17 September 2026\, Mafalda Samuelsson Gamboa defends her doctoral thesis\, “Design Sensibilities: Corporeal Theories as Embodied Epistemology for Design Research“\, at Chalmers University of Technology. \nSee event. \nAbstract\nStarting with a seemingly bounded design brief—studying and designing social drones—this thesis gradually opens into an inquiry into how design knowledge forms those who practice it. Rather than treating design as a neutral means of intervention\, the work attends to design sensibilities: the embodied\, relational orientations through which designers come to perceive\, act\, and live in the world. These sensibilities operate as corporeal theories; becoming a skin that accumulates\, hardens\, softens\, and is shed over time. \nTheory is often treated as something we apply to practice\, or extract from it after the fact. Here\, there is a different premise: that theory within design is already being made in the fostering of sensibilities. I argue that attending to and articulating sensibilities as a form of intermediate-level knowledge allows us to understand it not only as abstraction\, but as something that transforms bodies\, relationships\, and ways of being in practice. Through first-person methods\, longitudinal autoethnography\, and material making\, the work traces a shift from naïve engagement to critical disillusionment\, and onward to a reconfiguration of what it might mean to practice and theorise design otherwise. As the research moves with its time—through intensifying technological concentration exemplified by the case of drones—it bears witness to where imagination feels institutionally and intentionally foreclosed. Rather than smoothing over these ruptures\, the thesis centres them as sites where design theory is remade through corporeality rather than represented as a lens. \nThe dissertation is a non-linear constellation of collaborative experiments\, including pictorials\, critiques\, and co-authored texts and designs structured in three chapters. The first focuses on refusing the inevitability of drones\, the second describes design epistemology as sensibilities\, and the third opens paths forward for design as an implication from a turn to sensibilities. This compositional choice resists the primacy of individual authorship and challenges academic norms that locate rigour in separation between theory and practice\, researcher and subject\, or singular voice and collective inquiry. I discuss co-constructed relational knowing not only through artefacts or arguments and shared attentiveness through reflexive and diffractive thinking and making. At its core\, this thesis argues for an expanded understanding of designerly knowledge: one that takes seriously how design epistemologies act upon designers themselves. It joins conversations on design otherwise and on making trouble\, proposing that withdrawal\, instigation\, refusal\, and pauses in making are not endpoints but part of a broader repertoire of design actions in grave need of a collective stance. Design practice unfolds alongside social\, political\, and ecological rupture\, coming to terms with its impossibility under the violence of capitalism. By articulating sensibilities as both knowledge outcome and method\, the thesis invites a rethinking of design research as a practice of becoming: with others\, attuned to the collective sensibilities required to navigate worlds that are increasingly difficult to design within. It culminates in a call for design as a pre-revolutionary act. \nSee full thesis. \nSupervisors\nSara Ljungblad\, Associate Professor at University of Gothenburg\nKristina Höök\, Professor at KTH Royal Institute of Technology\nOpponent\nJohan Redström\, Professor\, University of Gothenburg
URL:https://wasp-hs.org/event3/design-sensibilities-corporeal-theories-as-embodied-epistemology-for-design-research-phd-dissertation/
LOCATION:Röhsska Design Museum
CATEGORIES:PhD Defence,PhD Defense
ATTACH;FMTTYPE=image/jpeg:https://wasp-hs.org/wp-content/uploads/2026/08/Mafalda-Samuelsson-Gamboa-169.jpg
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